
Forty minutes of build time is not a discount, it is a margin. The price a client agrees to has never tracked your hours, and the only thing that changed when a model started writing the markup is that the hours stopped being a defensible basis for the number.
The verdict: band the work by what is in the file, quote the band, and say you used AI without apologising for it. Three bands cover the whole market, and the distance between the bottom and the top is not tool skill. It is whether anything in the output was decided before the first prompt.
you shipped an app fast with Lovable / v0 / Cursor and it works, but it looks and behaves like the AI default.
a freelancer advertising this exact fix
That sentence sells the whole top band, because it names the thing your client is quietly worried about and nobody else on the shortlist will say out loud.
What the client pays for when the build takes an hour#
The model will produce whatever it is told to produce, at any ratio, any curve, any palette. What it produces when nobody specifies is a house style, and that house style is now visible on a large fraction of new small business sites. Your client has seen it. They may not have a name for it, and they recognise it.
So the sellable thing is the specification, not the generation. A brief with values in it is the only part of this work a competitor cannot reproduce by typing your prompt into the same tool. Everything downstream of it is a keystroke, which is exactly why the keystroke is worth nothing and the brief is worth four figures.
Three questions decide which band a project belongs in:
- Did a person choose the type scale, or did the framework?
- Does the motion have a curve and a duration somebody picked, or does everything move on
cubic-bezier(0.4, 0, 0.2, 1)at150ms? - Does the client receive a document at the end, or a login?
Two yeses put you in the middle band. Three put you in the top one. Zero is a $900 site, and there is nothing wrong with selling those as long as you know that is what you are selling. The test is deliberately about the artefact rather than about you: a designer with fifteen years of taste who ships an unedited generation is selling $900 of work, and somebody six months in who writes the scale down first is selling $4,000 of it. That asymmetry is the whole opening in this market, and it closes as soon as everybody notices it.
Three bands for a generated site#
The prices below assume a five to nine template site for a business with real revenue. Adjust for market, not for build time.
| Band | Price | How it was made | What the client receives |
|---|---|---|---|
| Generated | $750 to $1,500 | Prompted, content dropped in, shipped | A working site and a login |
| Directed | $3,000 to $6,000 | Generated, then one pass replacing scale, palette and curve | A site with a chosen look |
| Specified | $10,000 to $18,000 | A written spec first, then generated against it | A site plus the spec that made it |
Row two is the single highest-return move available to a freelancer right now. One afternoon of decisions, no new skill in the tool, and roughly four times the invoice. The reason it works is that the client is comparing you to other generated sites, not to a design studio, and a chosen type scale is instantly visible against a default one.
Row three needs an artefact you may not own yet, which is a full set of art direction written as values. Thanor sells exactly that, per design, covering UI and app interfaces, page sections and animated backgrounds, for client work included.
One caution about the top row of that table, which is the bottom of the market. It is a legitimate product and a poor business: a $900 client sends the same volume of email as a $9,000 client and expects the same availability on a Sunday. Sell that band only as a deliberate way into a niche you intend to keep working in, and price the second project at the middle band from the first call.
The line items that hold the top band#
Put these on the proposal as named deliverables with counts, because a client who can count what they are buying stops negotiating the total.
- A design specification, one page, tokens written as CSS custom properties: the scale, the ramp, the palette with a role per value.
- Type per breakpoint, the ratio itself shifting from
1.2at375pxto1.333at1440px, each step expressed withclamp(). - An image treatment: crop ratios of
4 / 5for people and3 / 2for interiors, a grade atsaturate(0.92) contrast(1.04), grain at4%. - A motion sheet:
cubic-bezier(0.16, 1, 0.3, 1)at560msfor entrances,cubic-bezier(0.33, 1, 0.68, 1)at160msfor hovers, and theprefers-reduced-motionbranch written out. - One signature moment, described as a mechanism, built once, used once.
- A walkthrough recording, ninety seconds, no music, showing where every editable field lives.
Six artefacts, and five of them are documents. That ratio is the point: the site is the smallest part of what changes hands, which is what makes the fee survive the client discovering that a model wrote the components.
Price them individually in the proposal even though you sell them as one number. A client who can see that the specification, the motion sheet and the walkthrough are three separate things stops reading the total as the price of a website and starts reading it as the price of six deliverables, which is a different conversation with a different ending.

What you hand over on Friday#
A $12,000 handover is a folder, not a URL. Inside it: the specification, the motion sheet, the palette with contrast ratios stated, the font licence receipts, the recording, and a one-page note on what the design refuses to do so that the client's next hire does not undo it in a fortnight.
That last document is the one nobody writes and the one that gets you rehired. Direction includes deciding what not to move, and writing that down is the difference between a site that holds its look for two years and one that accumulates a new accent colour every quarter.
What the note contains, in five lines:
- The two curves, and the instruction that a third is not to be added.
- The seven type sizes, and that nothing between them is permitted.
- The accent, and the rule that one screen gets one use of it.
- The crop ratios, and which subjects take which.
- The single section built for this client, and a note that it is not a pattern to be repeated elsewhere on the site.
Price the folder, deliver the folder, and the awkward question about AI never arrives. If it does arrive, the honest answer is short, and the longer version of that answer is here. Clients who have paid for six documents rarely go hunting for a reason to feel cheated.
The verdict on pricing an AI build#
Quote $3,000 minimum for anything you designed as well as built, and $10,000 when a specification exists on paper before the first prompt. The band is set by the file, the file is set by the brief, and the brief is the only part of this that takes a human being. The same afternoon of building supports either number, and nothing in that sentence depends on getting better at prompting.
Three moves, in order of return:
- Settle a type scale, a five-role palette and two curves once, then reuse them across every project.
- Put those values in the proposal as commitments rather than showing them off in a portfolio afterwards.
- Add the specification, the motion sheet and the walkthrough recording to the deliverables list, and quote for the folder instead of for the site.
None of the three requires a new tool, a new subscription or a course. They require a page of decisions that exists before the first prompt, which is the only scarce thing left in this business now that the building is cheap.
For the broader version of this, covering builds where AI never comes up, the four band model is here. For the value-by-value version, read what changes between a $500 and a $15,000 site.
Browse the Thanor library and read one design's direction end to end. $89 for three months, $189 a year, $299 once, and a free account opens the designs marked free.
Questions this raises
How much do people charge for AI websites?
The honest spread is seven hundred and fifty dollars to eighteen thousand, and the split is not skill with the tool. Sites sold under fifteen hundred are generated and shipped. Sites sold over ten thousand were specified before a single prompt was written, and the specification is handed over.
Should I tell the client I used AI?
Say it plainly and move on. Nobody asks a photographer which body shot the campaign. What they care about is whether the decisions in the file were made by a person, so answer that question instead of hiding the first one.
Is it fair to charge ten thousand for something that took an hour?
You are not billing the hour, you are billing the type scale, the palette, the motion system and the specification the client keeps. Those took years to be able to write and they are what the next agency cannot copy.
What stops a client generating the site themselves?
Nothing, and plenty of them try. What comes back is the default: one stock easing curve at a hundred and fifty milliseconds, a neutral sitting on the grey axis, and three feature cards because three is what the grid fits.
What justifies the top band on an AI build?
A written design specification, type tuned at each breakpoint, a real image treatment, a motion sheet with curves and durations, and a walkthrough recording. Six artefacts the client owns after you leave.
Part of
What to charge
Pricing, quoting and scoping websites when the build takes an afternoon. What changes between a five hundred dollar site and a fifteen thousand dollar one, and which of those changes a client can actually see.
